| PAGE | Also on page | SoloCat or Solofont Name | Alias Analysis | Match | Dover CD Book | Comments |
|---|
| 9 | | Arbuckle | TriedWhatTheFont | No | | |
| Assay = Antique Tuscan | (Solotype, Type Revivals), OldenGoldie (Enstep), OldenWest (ImageLine) | Yes | | Some widths have vertical bars on "E" and "F"; "Qs" are different too. These variations are faithful to originals by Wells & Webb and Wm Page [Rimmed only]. Foundries showed the metal series as Broadgauge. Not in Catalog Index. |
| Assay Condensed | Antique Tuscan Condensed (Jordan Davies), Liberty Spike (SWFTE) has small caps only, no lower case, Cut&Shoot (WaldenType - distressed version) | Yes | | Not in catalog index |
| Assay Extra Extended = Assay Fat, Antique Tuscan Expanded | . Mexia WBW (Nick Curtis) | Yes | | Extended Alpahabets 5, Kelly 278. Not in catalog index. |
| Assay Rimmed | | No | | Not in catalog index |
| Commonwealth | Communis (The Type Heritage Project - Roger Seganti) | Yes | | |
| Concave | Gladiate (Solo, lighter than catalog sample); | Yes | | Sulphur Springs NF (Nick Curtis) is a 'stencil' version of Concave. |
| Concave Condensed | Arched Gothic Condensed (Spiece Graphics) | Yes | | |
| Concave Extended | (Solotype) | Yes | | |
| Concave Extra Condensed | | No | | |
| Fredericksburg | Yorktown (Silver Graphics, Dieter Steffmann). Boxwood (Aerotype), Pianobar (Brendel) | Yes | | |
| Grandmother | EastSideSolid (TypeArt Foundry - slightly lighter) | Yes | | |
| Grandmother Condensed | | No | | |
| Hibernian | Hinterland Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Katharine Bold | Solofont included in Dover Victorian book + CD pack. | Yes | VIC | |
| Morningside | Crosby Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Nonesuch | Antique Tuscan Condensed Bold (Wooden Type Fonts/Jordan Davies) , Antique Tuscan Condensed (Intellecta) | Yes | | Some subtle differences, such as the counter in the"A". |
| Olympia (2 wdths) | DXS/Dover Victorian Olympia, Dark Gray 50 (Enstep, ImageLine), Homestead (Expert), Rochambeau (Scriptorium) | Yes | VIC (as Olympian) | Same as Olympian, Page 12 |
| Orbit Antique | (Solotype and unattributed) | Yes | ANV | |
| Rubens | (Solo, Wooden Type Fonts), Hamlet/Nachtwache (Brendel), Macklen (Novel), Moorgate (Softemaker), Ravenscroft (TombSweetTomb), Macbeth (Linotype), Mansion (Treehouse), DutchMaster (Silver Graphics) | Yes | VIC | Also see Rubens Wood and Wood Caps on page 39. There are natural differences between the wood versions and fhis foundry version. |
| Rubens Extended | Aldus cites look-alikes. | Yes | | |
| Rubens Wide Wood | Linotype Macbeth. | Yes | | |
| Sturdy | | No | | |
| 10 | | Acantha | Solofonts version @ MyFonts. | Yes | | |
| 44 | Art Gothic | aka Toulouse Lautrec. Bay Anim Fletch from A&L & ClickArt; Opti Art Gothic; Lansbury (free) by Allen Walden; Swfte Love Letters, & WSI Agatha. Similar to Greeting Monotone, Fletcher Gothic (Fluent Laser-Cassady+Greene) | Yes | | This face was also sold in wood [Morgans, Wilcox 1891]. Central TF ver <1887. Greeting Monotone was c1930s! |
| Art Gothic Bold | Unattributed freeware named Art Gothic Bold and Art Gothic Extra Bold found on the net. Neither really seems quite as dark as the Solocat sample, though. | Yes | | |
| Asteroid | Asteroid Primo One (Spiece Graphics), Ambrosia (LHF, Silver Graphics) | Yes | | |
| Bowl | | No | | |
| Campanili [sic] - Campanile | Campanile (Solofont, OPTI, Steffmann), Aridi70,Jugend (Walden), VIctoriana (Gophmann), Campanili (?) | Yes | VIC | Campanile in index, Victorian Display Fonts, and everywhere else. |
| Century Boston | Beantown Bounce (Nick Curtis) | Yes | | |
| Champion (display) | | No | | |
| Donaldina | (Solo), Donaldina (Gophmann - upper case only) | Yes | | |
| Edwardian Clarendon | | No | | |
| Fantail | Wanted Beatty (Beatty an edited version of Fantail). Fredericksburg WBS (Nick Curtis), Teutonic (Jordan Davies Wood Fonts) | Yes | | Fantail was the foundry tradename. CF Roxy [wood], 38. http://www.typeheritage.com/
Happy_New_Year_2010.htm |
| Gauloises | | No | | |
| LaFayette | (Solotype) , Gable Antique (Spiece Graphics) | Yes | VIC | See also Washington Antique (21). |
| Makart | | No | | |
| Peerless | | No | | |
| Victorian Clarendon | Cowboy Western (Letterhead Fonts - somewhat wider than the catalog image) | Yes | | |
| Zinco | (Solo), Zinc Italian SG (Spiece Graphics), Sevilla (Gophmann). | Yes | VIC | |
| 11 | | Alfereta | (Solotype), Pennant (Arts & Letters), Alfredo (Novel and FontBank), Voco Script (Softkey/SSI); Gasparone (Brendel), Layla (Silver Graphics),Funky Face (WSI), Jocund (Expert fonts), Downwind (anon). | Yes | | |
| Ancient Text | (Tim Ryan/Agfa Type Revivals) | Yes | | |
| Battery | Patent Reclame (HiH) | Yes | | Petzendorfer 64 |
| Cardinal | Wedlock (Dan Solo); Dieter Steffman added characters to a face prepared from a scan by Aldus. The free face is at TypOasis in the Steffmann section under the original name, Cardinal. | Yes | VIC
(As Wedlock) | Cardinal and Wedlock/Cardinal Swash are alternate forms of each other. 1887 and DXS/Dover Victorian Book specimens illustrate the full range. |
| Flirt | Flippant Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Glorietta | (Solotype), Many others, including P22Victorian Swash, Trinigan FG(Fontgrube), Goodfellow (Scriptorium), Bluegum Forest (Tris Nguyen, corrected by MEG). Burton'sNightmare (anon). | Yes | VIC | Originally Columbian - CLeveland Type Foundry and others. |
| Iroquois Condensed | | No | | As seen in ATF 1897 catalog.. Also see Ragtime (pp. 28 and 53) |
| Pacific | | No | | |
| Pansy | | No | | |
| Pisa | | No | | |
| Quincy Backslant | | No | | Petzendorfer 64, Pioneer |
| Ryan Jackson | Rye Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Smoke | (OptiCastcraft), Flashback (SWFTE), Psychedelic Smoke (Walter Kafton-Minkel), cloned by Cambridge as Pigs 7. Watusi (Kafton-Minkel) , Baghdad (not found). | Yes | | Outline version available as Elefont (Brendel), Also numerous shadow versions. |
| Spiral | Gramophone ITC (ITC - Serge Pichii), Sturbridge Twisted (Inrtecsas), Hasta La Pasta NF (Nick Curtis). Sturbridge Twisted was renamed to Spiral ST by Aldus in his Solotype postings. .My records also assert a Dover/Solo version? | Yes | | |
| Tandem | It's not a match, but because of comparable backslant some similarities in glyphs, and fat feet, you could substitute Smoke as a work-alike if no real match ever turns up. | Yes | | Kelly 159 |
| Typo Antique | Typo (The Type Heritage Project - Robert Donona) | Yes | | |
| Zorba Half Solid | Blanchard Half Solid (Bulldog) | Yes | | |
| 12 | | Alpine | Alpenhorn Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Bijou | Bangle (Novel!/FontBank), Riccio Display Script(Softkey SSI), Grebe (Anonymous - may be the original of Riccio), Bireme Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | Original design by Ihlenberg |
| Brevet | Solofonts version @ MyFonts. | Yes | | |
| Chaucer (display) | Paddy Wagon (Nick Curtis) | Yes | | |
| Cirrous | Acadian (Scriptorium - a few glyph differences) | Yes | | Many similarities to Bijou (this page) |
| Congress (display) | Carsage (Opti), Filibuster (Nick Curtis - most glyphs identical, but not all). | Yes | | |
| Cross Gothic | Crossan Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Gutenberg | Gutenberg Medium (Solofont Victorian). Guttenberg (Rick Mueller - yes, RM's is with TWO t's), Aridi 61, Madelyn (SignDNA), | Yes | VIC | There exist four different fonts all with internal attribution to Dan Solo. Their provenance isn't clear.
Gutenberg Medium was included with the 24 Victorian Fonts CD and unavailable elsewhere.
Gutenberg Nouveau is identical to Gutenberg Medium except for the name. Medium and Nouveau have different encoding than the three 'Alternates' fonts.
Gutenberg Nouveau Alternates and Gutenberg Nouveau Alternates 1 eliminate dots in the counters.
Gutenberg Nouveau Alternates 2 has a more decorative 'A' (but not accented A's) and no dots in the counters.
The MS&J Specimen Book [1892] illustrates variations of their Gutenberg Series. Type Historian mentions a "Font Party Medieval" which no one else has found. |
| Hogarth | Hogarth Antique Normal (Solo) | Yes | VIC | |
| Karnak | (Robert Moore), Kar2(renamed, unattributed version of Robert Moore's Karnak). Karnak One and Karnak Two (Gophmann, with cyrillics). | Yes | | Shown as Karnac (with a "C") in 100 Victorian Display Fonts. KarnaC is probably the correct name., but the confusion will continue. |
| Kismet | (Opti), Darling (Brendel) download at Pychedelic.com; Kisstelle (Novel); Applegate (Silver Graphics); NockerCranky (Brian Powers); Kismet (Richard Beatty, Linotype) | Yes | | Beatty's ver was once called "Spiral," now "Beatty Victorian." |
| Obelisk | Drugstore (Coffee Bin Fonts), Obelisk (The Type Heritage Project - Robert Donona) | Yes | | |
| Olympian | See 'Olympia" on page 9 | Yes | VIC | |
| Pamela | (DTP), Penelope (Silver Graphics, Steffmann) | Yes | | |
| Prang Litho No.1 | FA171 (Pepin) upper case only | Yes | | |
| Randall | | No | | |
| Raphael | (Adobe, Agfa); AspenFont (John Singer) | Yes | | There are some similarities between this face and Rococo on page 13. |
| Renaissant | Ressonant (Octopi) | Yes | | Phillips Old Fashioned TypeBook, 1945. Possibly also in a Dover book by Kennedy(?) page 72.. Also VGC Typositor face,, and TCF (Chicago Type Foundry) |
| Ringlet | (Solo, G. Williams), Aridi09 and Ringo (Dixie) use letters from Ringlet Alternates.. | Yes | VIC | |
| Ringlet Black | Ringlet Black (George Williams without attribution; Corrected version by MEG) | Yes | | |
| Signet | | No | | |
| 13 | | Aesthetic | Seems to be all decorative caps. "Aesthetic Small Caps" are the letterforms, slightly reduced, with no decorative flourishes. "Aesthetic Alphabet" may not be a single font. Spring(Aridi, fonted by Toto as "Spring Initials" and by Lime as "Spring") | Yes | | All 19th-C specimens are ornamented with the sunflower motif. DXS's SC are slightly different letterforms. My guess is that he designed them--with eyes always peeled for the same alphabet to turn up as a separate font. |
| Aesthetic Alphabet, Aesthetic Caps and Small Caps | Aesthetic Plain (Aldus-two sizes of unornamented letters. Does not include alternate 'A'), Spring Initials (Toto - Ornamented letters) Spring Initials Alt (Toto - separated letters and ornaments) | Yes | | Catalog appearance is slightly bolder than the other two 'Aesthetic" fonts. Contains ornamented upper case and unornaments loweed case. No single font has both the ornamented caps and small unornamented caps. |
| Anglo | (Solofont included in Dover Victorian book + CD pack, but unattributed). Angelo (B8PGraphics, Brendel, Softmaker,Opti), Anglophile (Novel), Anglican (WSI), Marquis(WSI), Viata (SSI/Softkey), Angler NF (Nick's Fonts) | Yes | VIC | |
| Angular Text | K22 Angular Text (Toto), Angolan Text (The Type Heritage Project - Alan J. Prescott) | Yes | | Original design by Ihlenburg |
| Banquet | Solofonts version @ MyFonts. | Yes | | |
| Dainty | Dainty Lady (Solotype); Curetana(Scriptorium). The 'Dainty'' posted by Aldus is Curetana renamed. | Yes | | |
| Fancy Celtic | (Solotype), 101! Fancy Letterin' (NghtMvs101) | Yes | VIC | |
| Gazelle | Gallantry Roman (The Type Heritage Project - Alan J. Prescott)+D148 | Yes | | |
| Gladiate | Solofonts version @ MyFonts. | Yes | | |
| Heather Lightface | Heather(Unattributed), Heather1999 and Heather1999 Bold (Unattributed). | Yes | | Heather1999 is Heather renamed. Heather1999 Bold is slightly fattened, probably artificially. |
| Houghton | Edison Swirl (Spiece Graphics), Potsdam (Scriptorium), Crinoline (SSK), EdisonMF (RickMueller), Ashley (Bright Ideas). Edison (Tom Wallace / HiH Retro Fonts), Potsdam (Scriptorium), Fairy Scroll Display (WSI). Edisson (Gophmann has cyrillic, some swashier lc letters); akaPotsley (akaType - yes, that last one IS the fontname and creator!), RyanG(Rakowski - can't be found) | Yes | | Petzendorfer 18. Edison is the Bauer/Berthold re-name for ATF's Houghton [1894]. Per Claude, the D's are slightly different. |
| Monastic | K22 Monastic (Toto), Huruvida (Lars Tornqvist) | Yes | | |
| Rococo | MardiGras(Silver Graphics), Mazarin (Scriptorium), Briolin (Gophmann) | Yes | | Silver Graphics' MardiGras was renamed by Aldus to 'Rococo'. No versions with lower case are known to exist. |
| Romanesque | Solofont included in Dover Victorian book + CD pack.; Durham Abbey NF (Nicks Fonts) | Yes | VIC | |
| 14 | Sentinel | (Dieter Steffmann, Alus), Alt Gotisch (HiH Retro Fonts), Emporium Capitals (P.J.Lloyd) matches most letters, but not the T/t.. | Yes | | |
| St. Clair | ARIDI31 | Yes | | |
| Tivoli | | No | | |
| 14 | | Aeolean | | No | | Aeolian Open in Solo Victorian Alphabets book |
| Aeolean Black | | No | | Spelled Aeolian in Solo Victorian Alphabet book |
| Algonquin Shaded | Aloysius Ornamented (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| 62 | Argent (Patterned) | Argentus (The Type Heritage Project - Roger Seganti) | Yes | | Argent Solid=ApothecarySolid (Silver Graphics), Argentine Solid (LHF) |
| Argent Open | Apothecary Open (Silver Graphics) | Yes | | Georges Lemmen, c. 1900 |
| Ferdinand | (Solo), Baphomet (SWFTE), Asphodel (Scriptorium), BaronMunchausen (Gophmann). | Yes | VIC | |
| Gingerbread | Gingerbread Victorian (Character) | Yes | | |
| Goldwin / Goldwyn | | No | | Goldwin in the catalog, Goldwyn in the index |
| Nymphic (u/l case) | P22 Kilkenny Family (P22/PaulHunt), Kudos Caps Three (Nick Curtis- Initials), Secesja (Barmee, FlashFont, MEG) | Yes | | MEG made metric corrections to Barmee's Secesja and added punctuation. |
| Nymphic Caps w Sw Inits | P22 Kilkenny Family, SecesjaPL (Barmee) | Yes | | P22 Kilkenny Pro has just about everything |
| Nymphic l/c w Swash Caps | P22 Kilkenny Family; also ryp_Nymphic (Robyn Phillips/Skeldale). Very poorly sized. LC as big as UC. | Yes | | |
| Oakwood | Oaken Bucket (NickCurtis), Penhurst (Paul Lloyd), Ornella D (URW), Antikvar (Gophmann-Cyr), Penshurst (PJLloyd) | Yes | | |
| Phidian | Solofont included in Dover Victorian book + CD pack.This face resembles a 3-D shaded version of Eureka, from Solocat pg. 27 and 34. | Yes | VIC | |
| Ripple | | No | | |
| Soutache | Main Street (FontMesa) | Yes | | |
| Tangier | | No | | |
| Tedesca | Descant (Scriptorium) | Yes | | Petzendorfer 35 |
| 15 | | Angel | (Solo, Steffmann, Aldus), Bruce 1065 (Intellecta) ., Sandala (Summitsoft - adds lower case) | Yes | | |
| 77 | Arboret | (Solo). In Victorian CD/Book | Yes | VIC | Spelled Arborette on page 77 |
| Arcade | Solofonts version @ MyFonts. Solo added the lower case. | Yes | | |
| Atlanta | Solofonts version @ MyFonts consists of original Atlanta caps (1885) by Central Type Foundry of St. Louis, plus lower case added by Dan X. Solo. Rick Mueller drew a freesmall caps version called Atlantis. Picture combines free & pay versions. Also Victorian Gothic (P22). | Yes | | |
| Belmont | Beltane Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Cocktail | Cocksure Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Epitaph | (Font Bureau - drawn by Tobias Frere-Jones), Akimbo (Bright Ideas), Tombstone (LazyDog), Eulogy (Spork Thug, wavy letters), | Yes | | Original in Boston Type Foundry catalog, 188C |
| 186 | Epitaph Open | Glifik (John Smith/Rhode Island Press), Tombstone-Outline (Lazy Dog), Gyptienne (AARRGGHH!! Graphic Software - poorer outlines than catalog) | Yes | | |
| Fashion | Fastidious Condensed (The Type Heritage Project - Alan J. Prescott) | Yes | | Shown as Fashion Condensed in 100 Victorian Alphabets |
| Fashion Ornamented | Fastidious Ornamented (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Mystic | | No | | |
| Safari | | No | | |
| Sesame (Cuba) | (Dieter Steffmann,Opti), Cuban (M. Klein/Heidorn), Habana Sweets (NicksFonts), Coal Train (Jeff Levine), Tamiami JNL (Jeff Levine) | Yes | | Catalog indx shows this both as Cuba and as Sesame. Petzendorfer 42; Shown as Cuba in 100 Victorian Display Alphabets. Levine's Tamiami is a commercial version of his Coal Train. They are indistinguishable. |
| Southern Cross | | No | | |
| 37 | Templar (Wood) | (Solotype), Iskola (T-26), Sophie (Mueller) | Yes | VIC | There were both wood [p 37] and foundry vers of this face. |
| Victoria Central | Atlanta Condensed | Yes | | |
| Wave (Display) | (Solo), Wave/Waverly (Rick Mueller), Wave(Steffmann), Wavy (Fordyce) | Yes | CIR | |
| 16 | | Armenian | Armenian Circus (Character). | Yes | | Type Historian mentions a Solo font named Circus 2. |
| Barndance | Hoedown (Silver Graphics, Dieter Steffmann) | Yes | | A copy of Silver Graphics' Hoedown was renamed by Aldus to 'Barndance' |
| 21 | Barndance Wide | Hoedown Wide (Silver Graphics, Steffmann) | Yes | | |
| Broadside | | No | | CircusTime (Solo) is almost the same typeface without the 3D or shadow effect. |
| Chorus Girl | Solofont included in Dover Victorian book + CD pack. | Yes | VIC | |
| Gentry | Cicero or Cicero 1 (unattributed) | Yes | | Shown as Besley in Nicolete Greys book, 1857. Cicero was the original tradename [McGrew 341]. "Gentry" came from Frederic Nelson Phillips, in his 1945 specimen book. |
| Joseph | Joshua Contour (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Julie | K22 Eclair (Toto). Eclair is the name in the Victorian Display Alphabets book by Solo. | Yes | | Eclair is the name used in Solo's Victorian Display Alphabets Book. P. 34 |
| Miss Kitty | Wild West Wind (West Wind Fonts) | No | | See Novarese's Fonanesi, 22 |
| Ringmaster | (Solo), Rochester (Gophmann) | Yes | CIR | |
| 26 | Romantic No.4 | | No | | |
| Roulette (Solid)+C210 | Roulette Caps (Opti), Wood Type (URW), Rajah (URW - this is URW Wood Type with an alterned Font Family name, and no other changes), Saloon Girl (FontMesa), | Yes | | Missing from the index. An open stenci-like version with same name is on page 22.. See page 344, American Metal Typefaces of the 20th Century by McGrew. Fonts with only minor differences include Bruce (Iza), Pointedly Mad (R.Gast, andLynchburg (FontMesa) |
| San Francisco | | No | | |
| Sideshow | | No | | |
| Soubrette | | No | | |
| 18 | Soule Poster | | No | | |
| Stereopticon | Solofont included in Dover Victorian book + CD pack. | Yes | VIC | |
| Tallyrand | Amanda (FontCompany, URW), Cowgirl (Font Company from Ascender; is identical to Amanda) | Yes | | See Tombola, p.34 |
| Thunderbird | (Bitstream, Linotype, Elsner & Flake, ImageClub, Scangraphic, URW, Agfa-Bayer). Thunder (A&L); T720 Deco (Softrmaker). | Yes | | McGrew, p 344. Thunderbird is widely available Extra Condensed from most of the same foundries. |
| Trocadero | (Steffmann), Saddlery (FontMesa) | Yes | | Based on Hunt Bros. 101 faces Plate 65 |
| Tuscan Floral = Extra Ornamented | Extra Ornamental (House of Lime), Ornamental No. 2 (GuessWho?=GrahamMeade) | Yes | | |
| Tuscan Ronde | | No | | |
| 17 | | Ancient Gothic Shaded | Roman Tyres RR Deflated (RedRooster), Art Sans (Solo - some letters are not identical), DeLittleChromatic (WoodTypeRevivals) | Yes | | Green Caps (Rakowski), Leakin Display Caps (SSK) and Transvestit (Brendel) all of which are clones of each other, are only vaguely similar. |
| 62 | Banknote Italic | There exists an unattributed freeware font creaded from a scan. The website no longer exists. | Yes | | A full image appears in Solo's 100 3D and Shaded Alphabets |
| Belgian | (Font Mesa), Bear Gulch (Walden -a highly distressed version), Bruce Belgina NF (Nick's Fonts) | Yes | | |
| Big Cat | Flatrock (Font Mesa) | Yes | | |
| Broadcast | Lettres Ombres (Solo, Klein/Aldus), Shady Characters (West Wind), Broadcast (Steffmann), | Yes | | |
| Cameo Antique | Cameo Antique (Character) | Yes | | Same design as Nightshade (this page), as an outline with the same shadows. |
| Caxtonian | Gold Fever (Font Mesa) | Yes | | |
| Circus (Rome) | (Angst), Madame Letters (Linotype), Gille Classic (Font Mesa), Home Style (Font Mesa - with lower case) | Yes | | |
| Doublet | Caractere Doublet (Intellecta) | Yes | | |
| Florist | | No | | |
| Galena | Gunsmoke (FontMesa) | Yes | | |
| Jim Crow | Jim Crow (Castcraft/OPTI) , Jim Dandy (Harold Lohner) | Yes | | |
| 64 | Martini Shaded | | No | | |
| Nightshade | NigelSade (Soft Horizons). Shadowed Serif (Fordyce). | Yes | | This is the same design as Cameo Antiique (this page). The Soft Horizons font is far superior to the one by Fordyce. SH may be original. Shadowed Serif can be found renamed to "NightShade". |
| Penelope | (Solo - has DXS-created lower case) There are also same-named versions by Aldus, Steffmann, and PaleAle, and one by MEG which overlap the original and each other, with different combinations of look-alike and non-matching glyphs. | Yes | | Not in Index. DXS once asked me (TypeHistorian)about the LC, and I told him the patent specimen had none [it didn't]–he was relieved. Later I learned that there were 3 super-similar faces shown by Cleveland Type Foundry: Penelope, Ideal and Chameleon (which has LC). |
| Rosella | | No | | |
| Van Horn | Valor Rimmed Shade (The Type Heritage Project - Alan J. Prescott). Circus Poster Shadow by Tom Rickner in the Ascender Creativity pack. It may not match in the tiniest details, but the overall impact is spot on. Much more than a work-alike. | Yes | | Rickner's face is more like Pardee, 1880s [25, 34/Kelly 293]. It has distinct knobs where Van Horn, 1849 has vague "bulges." Two differet eras of Italian Tuscan styling. |
| Van Horn Shaded No.1 | Valor Shaded (The Type Heritage Project - Alan J. Prescott) | Yes | | See Assay=Broadgauge |
| 18 | | Broadgauge Ornamented | Broadgauge Ornate (FontMesa), Circus Ornate (Dieter Steffmann). | Yes | | Named Broadgauge Ornate in the Circus Alphabets book. |
| Bruce Mikita | (Harold Lohner), Force (Angst/Chris Dunfield) | Yes | | For a solid version, see Lantern (page 20) |
| Cabalistic | Roosevelt (Harold Lohner), Cabaletta (Harold Lohner) | Yes | | Roosevelt replaced Cabaletta. There are some differences between them - including the T and t. Roosevelt includes smalll caps |
| Claret | | No | | |
| Cruikshank | (Dieter Steffmann), Cruickshank (HiHRetroFonts), HankKrushchev (Soft Horizons), Eureka (Peter Wiegel),LeGrand(Gophmann) | Yes | | Original spelling is Cruickshank. This is Krebs' "Eureka" on Petzendorfer p. 25.
Steffman's is a clone of HankKruschchev, with addtional characters. The Wiegel version has more characters and more elaborate punctuation and special characters. |
| Elmo Outline | | No | | |
| Elmo Solid | | No | | |
| Glyptic Bold Shaded | Morgan TwentyNine (Dieter Steffmann, FontShop, OPTI), Livery Stable (Font Mesa) | Yes | | Named Glyptic Shaded in 100 Victorian Alphabets; Morgan 29 can be found renamed to Glyptic Bold Shaded. |
| Heraldic | Heraldry Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Joplin Rag | | No | | |
| Marble Heart | Marmorherz NF (Nick's Fonts), Margarethe Double Shade (The Type Heritage Project - Alan J. Prescott) | Yes | | McGrew 210 |
| Moorish | | No | | |
| Old Bowery | | No | | Bowery [looks identical] Jaspert 256. Old Bowery Caslon c1844. |
| Oxford No.3 | Really Big Shoe (Nick Curtis), MFC Damask (Monogram Fonts Co.) | Yes | | |
| Snowbird | | No | | CF Mandy [wood], 31. Kelly 320. |
| 16 | Soule Poster | | No | | |
| 19 | | Abramesque | Abril (The Type Heritage Project - Alan J. Prescott). Arbamesque (unattributed, by sk89q) is an abominably bad rendition, from a scan. Note the internal font name misspelling. | Yes | | In Solo's Victorian Alphabets |
| Algerian | Widely available. Letraset; A&L Tangiers (2, 1 free); Corel Algerian; Brendel Saskatchewan; ClickArt Tangiers; Novel Algemaria; MS has version in Home Pub bundle; Opti Achilles; SoftMaker Algerian & Alfredo; WSI Morocco. Archer (Silver Graphics) and Algerian (Font Mesa) have swash caps and lower case. | Yes | | |
| Chronicle | | No | | |
| Courtier Italic | | No | | |
| Diamond Inlay | Solofont included in Dover Circus book + CD pack. | Yes | CIR | |
| Dresden | (Roger White), Trellis Display (SoftKey SSi), Wrought Iron (WSI), Weinbeck(WSI), Dressmaker (FontBank), Bodoni Classic Floral Initials(FontFont) | Yes | | Easily confused with Columbine [McGrew 342] |
| Fargo | Farmerboy Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | An earlier version of the Solopedia indicated that Dieter Steffmann's Toskanische Egyptienne Initialen was a good workalike. It has a somewhat similar feel, but is really nothing like Fargo. |
| Fry's Ornamented (Caps) | (Roger White), 30Fry's Ornamented (AR Types), Fry'sAlphabet (Intellecta), Fry's Relikt (Brendel),; Carnivale (SS/Softkey); Cruiseline Display Caps (WSI). Smooth(Enstep), Hunter(Rakowski), Beffle (Rakowski), Pomfrit Dandy (Nick Curtis) | Yes | | ScalaJewelPearl (FontShop) is similar, but without the curved stems or serifs. |
| Gypsy | Gypsy (The Type Heritage Project - Robert Donona) | Yes | | |
| Harlequin | | No | | |
| Jeffrey | Jeffers Contour (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| June | | No | | |
| Lattice | | No | | |
| Old Vic #1 (bold outl shadow) | | No | | This 'Old Vic' series reflects special effects applied in the Dan Solo studio. |
| Old Vic #2 (solid variant) | | No | | |
| Old Vic #3 (bold variant) | | No | | |
| Old Vic #4 (shadow variant) | | No | | |
| Old Vic #5 (outline shaded) | | No | | |
| Old Vic #6 (bold outl shaded) | | No | | |
| Spangle (Uncle Sam) | Springfield Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | AKA Tuscan Outline, Romantiques No. 1, Carnet de Bal, Ornate No 3 [McGrew 344], FTF Romantiques No 1. In Dover/Solo Art Nouveau Alphabet book. Ornamented Outline in Jasper. |
| Tuscan Grail | Tuscan Graille (The Type Heritage Project - Robert Donona) | Yes | | TuskcandyInline (Ingrimayne/Schenk) is similar, but without the spurs. Shown as Tuscan Graille in 100 Victorian Alphabets. |
| Uncle Sam (Spangle) | See Spangle | Yes | | "Uncle Sam (Spangle)" is in the index, but only "Spangle": is shown on page 19. |
| 20 | | Cabinet = Caprice | Capulet Roman (The Type Heritage Project - Alan J. Prescott). The correct original name for this face is Caprice. The original Cabinet is in the catalog as Cabinet No 2, page 23. To make matters worse, G Williams digitized Cabinet No 2 and named it Caprice. | Yes | | These two BB&S faces, Cabinet and Caprice, are maybe most confusing pairs ever. It clearly stumped DXS! Printout of a page from an 1889 specimen book showing both faces is always handy for frequent reference [available on request from Type Historian]. |
| Castle (Rg & Wd) | Castle (Opti) | Yes | | |
| Crusader | Croydon (anonymous) Scanned. Windows Fontview doesn't show the double lines properly. It has only the simple alternates for C, D, and N., and no punctuation. | Yes, but | | |
| Dangerfield | Solofonts version @ MyFonts. | Yes | | |
| 50 | Eccentric | (Agfa/Miles, Linotype, Solo), Eccentrical (?) Artist Modern (Gophmann) | Yes | | Letraset Galadriel [1975]=Eccentric Bold |
| Grant Antique | Refugio (Nick Curtis), Sheridan Gothic (Spiece Graphics), Grant Rustic (Opti) | Yes | VIC | Solo Rustic and Rough-Hewn Alphabets. p30 |
| Grant Antique Wide | (Solo, LHF) | Yes | CIR | |
| Jumbo | | No | | |
| Lantern | Bruce Mikita Solid (Harold Lohner), Bruce Mikita Two (Lohner) | Yes | | Pay version 'Solid' replaced free version 'Two' Also see Bruce Mikita |
| Monastic Condensed | | No | | |
| Moxon | | No | | |
| Mural | Solofonts version @ MyFonts. | Yes | | |
| Santa Claus | | No | | |
| 186 | Santa Claus Open | | No | | |
| Solar | | No | | |
| Spearhead | Solofonts version @ MyFonts. | Yes | | |
| Telephone Gothic | | No | | |
| Vulcan Antique | Vullkan NF (Nick's Fonts) | Yes | | |
| 21 | | Ambelyn (Cond) | K22 Ambelyn Condensed (Toto). | Yes | | In condensed alphabets bIn book "Condensed Alphabets" |
| Ambelyn Shaded | | No | | |
| Ambelyn Shaded Italic | | No | | |
| 15, 77 | Arboret No.2 | | No | | Not the same background as Arboret or Arborette |
| 16 | Barndance Wide | Hoedown Wide (Silver Graphics, Steffmann) | Yes | | |
| Bizarre | | No | | |
| 28 | Brenda | Pompano SC (Softkey/SSi), Ardor/RibbonArt(Enstep), Ribbon (ImageLine), Chipper (WSI) | Yes | | |
| Buffalo Bill | Buffalo BIll (Font Mesa), Buffaloo Bill (Aldus) | Yes | | |
| Cavalcade | Solofont included in Dover Circus book + CD pack. | Yes | CIR | |
| Cleft Gothic | | No | | |
| Daisy Delight | | No | | |
| Daisy Rimmed Fancy | ManuScript Caps by FritterDonut is a very rough version. blacksabbath70 by Erico is cleaner and includes the alternate characters but lacks the outline effects. | Yes | | This appears to be the same as a Letraset rub-on named Manuscript Capitals. |
| Daisy Rimmed Plain | Tried WhatTheFont (With and without rim) | No | | |
| Gold Rush | (Image Club Graphics), GoldMine (Corel), Goldstone (WSI/IMSI). The WSI version is also available renamed to Gold Rush. GoldRush(FontMesa, with original lower case added), Burbank Shadow (LHF) | Yes | | |
| Hyde | Tried WhatTheFont | No | | Original tradename Belgrave |
| 47 | Jagged Light aka Jagged | Solofont included in Dover Victorian book + CD pack. Rick Mueller has a matching free font named Ragged, available renamed Jagged from some sources. | Yes | VIC | |
| New Orleans | New Orange Ornamented (The Type Heritage Project - Alan J. Prescott) | Yes | | May be based on Romantique No. 3 from V&M Foundry |
| Orleans Open | OldWest (Novel/FontBank) , Saloon Display Caps (SoftKey/SSi) | Yes | | |
| Steamboat Shaded | Tried WhatTheFont (without shadiow)
Index says it's also on 64. It's not. | No | | Bar on 'A' is rare for 29th century [sic] Clarendons (I'm not sure whether Type Historian meant 19th or 20th c.) |
| Ullmer | Angular (J. Fordyce, 1993) | Yes | | |
| Washington Antique | Mephisto (Scriptorium), Thuvia (Omega/Michael Lee), FrightWrite2 (CompuWorks), Mortal Combat 4 (Midway Mfg), Gable Antique (Spiece Graphics - taller aspect ratio) | Yes | | This face was part of a series by Central/ATF including LaFayette (10), Jefferson and Webster. Spiece's ver matches Jefferson. Typehistorian also notes "Scriptorium Mephisto (Aldus fixes)" ? |
| 186 | Washington Antique Open | Wahington Antique [sic] (Aldus - an artificial modification of Scriptorium's Mephisto, misnamed) | Yes | | |
| 22 | | Boulder Ornate | | No | | |
| Boulder Solid | Rutin Tutin (Nick Curtis), ITC Buckaroo (Mueller) | Yes | | Mueller's original name for Buckaroo was Boulder, and is truer to the catalog.. Curtis' font has vertical serifs on letters like the 'C' and thicker stems. |
| Canterbury Initials | GillFloriatedCaps (Monotype/Adobe). ALso an ALT(ernate) with only 7 letters (EFHSTWY) | Yes | | From a 1935 Eric Gill Design. There are unattributed fonts with similar names, some with different alternate glyphs. |
| Cristal | (George Williams), Palace (Brendel), Crinoline (Novel), Crystal (Opti). | Yes | | |
| Damsel | Erbar Initialen (Steffmann - no C-like E) | Yes | | A solid version of Erbar Intials (p.23) |
| Davida Bold | (Bitstream/Corel,URW,E&F, LT, Scangraphic, Opti, B&P, Font Company,ICG), Davis (A&L), Lugger (Arsenal) | Yes | | The B&P version uses the alternate characters Louis Minott included in his original design. |
| 186 | Davida Bold Outline | DavidaDOu1(URW) | Yes | | |
| 186 | Davida Bold Shaded | Davida Outline Shadow (anon - may be Aldus) | Yes | | Aldus cites look-alikes, but none foujnd. |
| Duo Solid | Brendel Bakery; Fontbank Duotone; SoftKey SSi North Face. Dieter Steffmann apparently has two free versions called Duo Dunkel and North Face. | Yes | | |
| Fontanesi | Spatz Plain (Lorvad), Fontanesi (House of Lime), Kudos Kaps Five (Nicks Fonts - in the lower case) | Yes | | |
| Gone with the Wind | This font is essentially "Scarlett" for the upper case and "Rhett" for the lower case | Yes | | |
| Gypsy Rose | User-scanned and digitized version exists; Attribution is "Fonts Anon". Was apparently intended for private ciculation among members of a font club. | Yes | | |
| Lexington | | No | | |
| Molle Foliate | Freeware Mole Foliated is unattributed except for "created by Typesmith Amiga" | Yes | | |
| Monterey | MontereyCP (ClaudePelletier/Serieux) | Yes | | |
| Monterey Wide | (ClaudePelletier)A-Z,0-9 only | Yes | | |
| Ornata | | No | | |
| Rajah | URW Wood Type D (Solid) URW Wood Type D Only Shadow (shadow, no outline) | Yes | | |
| Rhett | | No | | This is the basis for Scarlett and Gone WIth the Wind. B A Graphics' "Galactic" is the same except fthat it has squared serif supports and no side bumps. |
| Roulette (Stencil-like) | BJF Beacon Text Only (BJF Beacon of Light redone by MEG to eliminate lighthouses), BJF Beacon of Light (Blue Jay Fonts) has reduced-size A-Z in the lower case..BJF Merman and BJF Mermaid have full-sized outlined A-Z in the lower case. | Yes | | See Roulette, page 16 for solid versions.Without the 'stencil effect, The stroke endings are squared in the solid typeface, rounded in the stencil form. |
| Saphir | (Linotype), Saphire (Mecanorma), Davie's Sapphire (Anon), Sapphire Sativa (Gauthier, with Marijuana leaves) | Yes | | |
| Scarlett | | No | | |
| 66 | Springtime | Eckhardt Fancy JNL (Jeff Levine) | Yes | | |
| Twirl | | No | | |
| Vaudeville | Quentin (The Font Company/URW), SilverDollar (Silver Graphics), Quantico (SoftMaker). Quentin (E+F, Letraset), Quentin Caps (Steffmann). Quentin (anon-scanned). | Yes | | |
| 23 | | Allegro | Solofont included in Dover Bold Script book + CD pack. Also widely available, included Aloe (BA), one free dl at A&L, 12 vars at Clickart; Corel + Bitstream Allegro; Image Club Allegro; Opti Alba; and SoftMaker Alligator. | Yes | BOS | |
| Cabinet No.2 | Caprice (unattributed, by George WIlliams), Cappuccino (Bright Ideas), Aridi60. | Yes | | Original name Cabinet. See notes by Cabinet, p.20 |
| Crayon | Cranston Ornamented (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Crayonette | Crayonnette (Claude Pelletier), Aridi08 | Yes | | Note that the font Crayonnette has two n's. |
| Crazy Eights | Yum Yum NF (Nick Curtis / NicksFonts) | Yes | | Originally Cleveland Type Foundry "Mikado" (1893) |
| Crazy Nines | | No | | |
| 190 | Delight No. 2 = Coral Inline on page 190 | pepinot (Claude Pelletier - no attribution in font) | Yes | | |
| Erbar Initials | (Dave Fabik) Akropolis (Brendel-UC Only), Ermine (Novel-UC only), E820Deco (Softmaker), Brandegoris (Scriptorium), DeRoos (Dave Fabik). Erbar (Font Company, URW), ErbarDeco(Brendel), KudosKapsFiveNF (NicksFonts-UpperCaseOnly) | Yes | | With some exceptions, an inline version of Damsel (p.22) |
| Funhouse | | No | | Nick Curtis's Whoa Nelly has a similar feel, but is not exact . |
| Geometric | | No | | Geometric by Agfa, and Baltimore Geometric by HIH Retro fonts are very close but in detail are different and HIH's is much bolder. The slope of the crossbar in the 'a', for example, and the descenders on the g's are different than shown in the catalog. The Agfa and HiH fonts are based on Antique Geometric by the Baltimore Type Foundry, c. 1884. Solo's may be based on the same era's Geometric, by the Boston Type Foundry. |
| Geometric Italic | | No | | Geometric (Agfa) has differences similar to those in the regular version. The Retro font version has no italic. |
| Komet | Kodiak Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Koster | Original-named version available by Graham Meade of Typotheticals. Artist shared the demo with Annexcafe Fonts group. | Yes | | |
| Koster w Fancy (or Swash) Caps | Graham Mead's (Typotheticals) Koster Xmas Special | Yes | | |
| Monopol | Monopol (George Williams). Uptown (Lazy Dog - Rakowski), Morton Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | |
| Rafael | | No | | |
| Recherche | Recherche (Richard Beatty), OptiRecherche (Opti), Aridi10 | Yes | | |
| Tango | Letraset Tango; Terra (BA) @ Arts & Letters (2) + ClickArt (6); Corel + Bitstream Tango; Brendel Buenos Aires; Opti Twist Display (5), & SoftMaker Tampa (2). | Yes | | |
| 24 | | Bullfrog | Mantel Regular (Richard William Mueller). | Yes | | |
| Coachline | Peerless 131 Bold (WoodenTypeFonts) | Yes | | Coachline is identical to Page Peerless Antique on page 29. |
| Delwin | | No | | |
| Helven | Helvin Black (Type Revivals), Helene Hiss (Soft Horizons, clone of Helvin Black) Helvin (Anonymous, a mix of black and ornate) | Yes | | |
| Helven Ornate | Helvin (Tim Ryan for Agfa's Type Revivals.).Helene Hiss Bolted (Character, based on Helene Hiss by Soft Horizons.) | Yes | | |
| Hidalgo | aka Zirkus (URW). Digital versions include Brendel's TOMBSTONE; Fontbank's High Noon; and SoftMaker's Cimarron. | Yes | | |
| Mansard | Mansard-Normal (Photolettering/Novel - no internal attribution) | Yes | | 57Rodeo (Baseline Fonts) is similar but lacks the very curved serifs. |
| 186 | Mansard Outline | | No | | |
| Mansard Rimmed | | No | | |
| Midway Ornate | Tried WhatTheFOnt | No | | |
| Minsky | Solofonts version @ MyFonts. Another version is called Frontier Plain. | Yes | | |
| Minsky Shaded #1 | Unattributed freeware Minsky Shaded Black, aka Verplaatst. | Yes | | |
| Minsky Shaded #2 | Minsky Shaded White (anon), Frontier.(anon). These are renamed versions of each other | Yes | | |
| 29 | Mona | Solofont included in Dover Circus book + CD pack. Rockwall Expanded (Nick's Fonts) | Yes | CIR | Rockwall Expanded NF by Nick's Fonts is very similar and matches better than Solo's 'Mona' |
| Oregon | Tried WhatTheFont | No | | |
| Rigney | Solofonts version @ MyFonts. | Yes | | |
| Rodeo | OPTIRodeo (Castcraft) | Yes | | |
| Silverado | Cottonwood (Adobe); Cowboy (Bay Animation) ; Lincoln (Brendel), Tucson (SSI Brendel); Cottage (Corel); GroverXenotype (Photolettering); Alamo and AlamoCaps (SSi /SSK), Dogwood (WSI), Prima Coa Reg;(?) ; Longbranch (Kinghorn), Italienne (Manfred Klein), others. | Yes | | There are no digital versions Named 'SIlverado'. There's a different typeface with that name from RedRooster/TypeFounders. |
| 38 | Wampum | Warpath Roman (The Type Heritage Project - Alan J. Prescott) | Yes | | Identical to Roxy (p. 38) except for clipped ends of serifs. |
| Warlord | | No | | |
| Wigwam | | No | | |
| 25 | | Barnum Condensed Caps | | No | | From the Solocat: Call it French Clarendon (the Americans did), or Italienne (the French did), or American (the Italians did) -- it will always be Barnum to the rest of us. |
| Barnum Square | | No | | |
| Barnum variants | As a category, this Solocat page lists a number of faces Dan X. Solo categorized as "Barnums" or Barnum-like. They're individually listed in the database and about a third have digital equivalents known. | No | | |
| Barnum, P.T. | PT Barnum BT ( Bitstream), PT Barnum (ICG, Opti), Amarillo (Brendel) , PT Boat (Novel!), PTBoat (FontBank), Circus (Bay Animation - with ClickArt and A&L products, SWFTE). | Yes | | |
| Cartwright | | No | | |
| Corral | DXS Corral | Yes | | |
| Dado | Groove Thang NF (NicksFonts) | Yes | | |
| 38 | Dime Museum | Also known variously as French Clarendon, Italienne, and even (overseas) as American. Solofonts version @ MyFonts. | Yes | | |
| Italianate Barnum | OKCorral (FontMesa), QTOKCorral (Qualitype). New Boston NF (Nick Curtis) and Slab Sheriff (Match & Kerosene) are heavy versions with extra-thick slabs. | Yes | | Italo Three from Expressiv's Photo-Lettering Collection is also close, but not an exact match. The original design was Caslon and Catherwood's "Italian" of 1821; Nick Curtis attributes the design to a typeface issued by the old Boston firm of Baker & Greele in 1826 |
| Italianate Barnum Lined | OKCorral Lined(FontMesa,) | Yes | | |
| Magnet | | No | | |
| Nubian Antique | Luxor Pro (RalphMUnger/RMU) | Yes | | |
| Old Towne | Corel's Old Town #536; SoftMaker Osborne; and Swfte Stagecoach. Elec. Font Foundry Wild West; MT & MN Figaro; Agfa's Branding. Dieter Steffmann offers a free match called Old Town Regular. | Yes | | |
| P.T. Barnum | Opti and Corel/Bitstream offer original-name versions. Bay Animation Circus., Brendel Big Top, Novel PT Boat, and Swfte Circus. | Yes | | |
| 34 | Pardee | Tuscan Egyptian Thin (WoodFonts-Davies), AI Wood Tuscan Egyptian (Alphabets, Inc, caps only.) | Yes | | This is a wider version of Sutro Wood (p.33) |
| Playbill | (Bitstream, URW, ICG, StephensonBlake/Microsoft), Billboard 11 (Bay Animation), Laredo (Silver Graphics) | Yes | | |
| Pointed Barnum | | No | | |
| Shaded Barnum | Circus MN (Mecanorma) | Yes | | |
| Western | Filmotype Western (Filmotype) | Yes | | Prescott Plain (Page Studio Graphics) is a more condensed version. Arbor (Chester Jenkins) is identical except for degree of curvature. Fran Tique (Nicks Fonts) is almost, but not quite, identical. See also 'Barnum' and its variants for a taller slab-serif approach. |
| 26 | | Bracelet | Bracelet Victorian (Douglas Day - scanned from Tschichold), Main Strike (Font Mesa - adds lower case), Romantiques (Dieter Steffmann), EgyptienneZierinitialen(Steffman - may be earlier version of Romantiques They are quite different internally); Dusty Circus (Baseline) has the same outline but different internal design. It is layered) | Yes | | Romantiques No. 5 (Lettraset, Pouchez).
Bracelet is missing from the index in the Catalog. |
| Calliope - Caliope | CaliopeVictorian (Douglas Day - note one-L spelling); From a scan "Victorian Display Alphabets | Yes | | Shown as Caliope (One L) in 100 Victorian Display Alphabets |
| Cane Gothic | | No | | |
| Carillon Condensed | Trefoil (Paul Lloyd), Purcell (Scriptorium) is same design but a bit wider, probably represents the before-condensed version. (When you're using type, many graphic programs will let you squeeze selected type elements to a narrower appearance.) | Yes | | |
| Cinderella Text | Ruritania (Paul Lloyd) | Yes | | |
| Gardenia | Gardenia Victorian (Douglas Day); Holtzschue (Rakowski.) Dieter Steffmann offers an enhanced, expanded version of the Rakowski Holtzschue face. | Yes | | |
| Gazette No.5 | | No | | |
| Grandiose | | No | | |
| Lanefixt | | No | | |
| Laurel | JFSummerFair (Jester Font Studio), Chipperfield_and_Bailey (Paul J Lloyd). | Yes | | |
| Lavinia | (Unattributed - "Based on Dan Solo's Lavinia") | Yes | | |
| Mozart | | No | | |
| Paris Ronde | | No | | The Donald NF (Nicks Fonts) clearly used this as a model, but has much thinner strokes and more regular apirals. |
| Romantic No. 4 | Partisan Ornamented (The Type Heritage Project - Alan J. Prescott) | Yes | | FTF Romantiques No. 4 |
| Scott Gothic | | No | | |
| Status | | No | | |
| Tuscan Tri-Level | | No | | |
